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山姆.谢泼德《被埋葬的孩子》的原型解读
毕业论文
An Archetype-Analysis of Buried Child by Sam Shepard
Abstract
As the only American playwright who has succeeded in carrying forward from the 1960s a concern with the irrational and the power of image, Sam Shepard is preoccupied with the personal and interpersonal dilemmas of the contemporary disordered self and his reputation has mainly established by his family plays, especially one of his family plays Buried Child. In this thesis, the author aims to make a comprehensive study of this play in three parts respectively. Part one will make a general approach of the author, exploring what success he has achieved and analyze the vital influence in his writing career. Part two centers on the theory of Carl G Jung’s archetypes and collective unconscious and analyze how these archetypes are reflected in this play. Three kinds of archetypes are discussed in this part: myth archetype, character archetype and subject archetype accordingly. In the last part, the archetypal images will be concerned. The problematic family in the play is a typical American family, which indicates the problems exist in the family is common in modern American society. Through the detailed analysis of this play, this thesis will fulfill the goal of make a comprehensive study of it. Thus give some constructive suggestions to those who interested in this play.
Key Words: Buried Child；archetype；collective unconscious；images
摘 要
山姆•谢泼得（Sam Shepard）是美国210世纪后半期最著名的剧作家之1。在他的家庭3部曲中，《被埋葬的孩子》是最广为人知的1部。作为外外百老汇最成功的剧作家，他10分重视主观意识与情感，在家庭剧中描绘了各个家庭成员之间、尤其是父子之间的错综复杂的关系。然而，这些错踪复杂的关系并不是孤立存在的。它不仅有着更深层次的社会与历史因素，与剧作者自己的家庭背景、个人经历也有着千丝万缕的联系。本文将从3个方面来解析《被埋葬的孩子》。1：分析剧作家的同时期其他著作，了解这部作品的历史意义及社会意义以及影响作者写作生涯的主要因素。2：荣格的原型批评理论和集体无意识以及他们在该剧中的具体体现。3：原型意象在剧中的使用以及社会意义。
关键词：《被埋葬的孩子》﹑原型批评﹑集体无意识﹑意象
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