戏剧导演手法在编舞中的运用

戏剧导演手法在编舞中的运用

毕业论文

摘   要

随着时代的进步，编创者思维方式的拓展，许多的舞蹈剧目由于感情宣泄的需要、动作发展的革新，打破了舞蹈中从开始到结尾都用音乐的传统艺术，出现了在作品中“无声独白”、“停顿”的编导手法，它为舞蹈艺术的未来发展提供了重要的新思路。本文介绍了“无声独白”、“停顿”在编舞中的运用，这1手法不仅为作品创造出了意境美，而且让作品有了更加广阔的思维空间，使其更加具有灵性，从而也使得舞蹈艺术更加人性化。然而舞蹈作品在创作过程中必须运用辩证思维，在承认音乐与舞蹈仍旧紧密相连的同时，恰到好处的，灵活的运用“无声独白”、“停顿”，使其能淋漓尽致的在舞蹈中表达它的意境，为作品起到点睛的作用。
关键词：舞蹈；无声独白；停顿；编舞；舞蹈艺术；舞蹈作品

 
ABSTRACT

With the advance of sequence and expansion of composers’ thinking lines, many dance operas have broke through the tradition that music is running through from start to the end, for the berefit of the outlet of emotions and creation of dancing movements. “Silent monologue” “pause” constantly appear in various works, supplying a new way for the development of dancing art. The thesis makes an introduction of the application of  “silent monologne” and “pause”, which creates a move reflectable space of thinking and imagination, making the works more personal. But dialectical idea have to be utilized in the creation of dancing works, and admitted that music and dance share a close connection with each other. The techuiques of  “ silent minologue” and “pause” muxt be applied reflexably and perfectly in order to display the spirit of the works.
Key words:  Dance; Silent monologue; pause; Choreographing a dance; Dance art; Dance works

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