论传统民族器乐演奏的新形式-新民乐

论传统民族器乐演奏的新形式-新民乐

毕业论文

摘    要
 
近年来，在探求中国民乐的发展道路的新民乐的浪潮中，受“女子102乐坊”、“红樱束”等成功的启示，国内其他1些新民乐组合也纷纷出现，本文针对新民乐这1现象，结合大众审美观、文化价值观的转变，与中国传统民族器乐的比较。从新民乐的本体形态、产生背景以及价值与意义等方面进行了分析，指出新民乐对中国传统器乐的重要影响并提出新民乐不是中国传统民族器乐发展的唯1道路。任何事物与生俱来的价值多元化，也使其免不了兼具正面和负面的价值。新民乐作为1种新的民乐演奏形式，在它诞生、发展的初期遇到各种各样的非议、批评甚至不理智的声音可以说是必然的。作为走向国际化的新民乐惟有坚持不断创新、不断交流、不断融合的路子，才能经得起市场的考验和时间的检验。新民乐势必将拉开我国各族人民音乐进步的序幕，将为中国音乐走向世界奠定基础，将为世界音乐文化的交流展开新的篇章。
关键词：新民乐；形态描述；视觉化传播；传统民乐

 
ABSTRACT

In recent years of the research of China’s folk music and encouraged by “Twelue ladies Music Show” and  “Red Cherry Bundel”, other new music group have shown up under the impact. Baced on this, the thesis makes a comparison between the publice eathetic tastes, wariations of cultural values and China’s traditional instruments. It also analyzes the existing condition of new folk music, backgrouns, values and significance and puts forward that new falk music has a great effect on China’s instraditional music. Anything is born with value variations and may have their negtives and positires. So it is inevitable that new folk music is gegraded and even critigized at defferent stages of its development. The only way for further development is constant creations, exchanges and incorporations thus stand up to the test of market and time. New folk music is sure to start the progress for China’s various music, lay a foundation for China’s music leading to the world, turn a new page in the exchangesof the world musical cultrues.
 Key words: the new folk music; status description; visional transmission; traditional folk music

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